Monday, 30 November 2009
Friday, 27 November 2009
The clip begins with loud heroic music during a medieval battle between knights, we can denote this from their costume, you can hear the swords clashing as they fight and the music signifies bravery and masculinity and the clip shows a courageous man fighting.
The accents in the clip are all generally quite posh English accents which we can use to denote where It is set and it would seem it was the south of England, however one of the characters has a Manchurian accent which almost seems like a juxtaposition in the setting of the clip also the language used in the clip is a juxtaposition as it seems to modern for what we can denote as a medieval set clip.
The change in music to jolly, silly music when the boy is playing with magic denotes youth and happiness.
Also the sounds of birds chirping and church bells ringing in the background shows verisimilitude and gives it a sense of realism, this is also apparent when they are all talking in the grand hall and their voices echo this certainly shows verisimilitude.
The different use of music in each scene shows very different feelings; scary music gives feelings of vulnerability whereas the happier music makes for a more light hearted scene being when the boy is helping the knight get changed. The jolly music used sounds like medieval folk and so It is in keeping with what we can denote as the time period.
When the knight comes out to battle we here loud applause and cheering which denotes that this person is a hero and adored and it adds excitement to the scene, we then here brave heroic music playing and makes the scene feel quite serious.
Monday, 23 November 2009
2. Warp Films was set up in 2002, Warp X was set up in 2005.
3. Warp Films have made the following films:
Le Donk & Scor-zay-zee (2009)
The Taxidermist (2009) Budget- £22,000
Four Lions (2009)
Arctic Monkeys at the Apollo (2008)
Crack Willow (2008)
Fur TV (2008)
The Archivist (2008)
Exhibit A (2007)
Dog Altogether (2007)
Grow Your Own (2007)
Dog's Mercury (2006)
This Is England (2006) Budget- £1,500,000
Scummy Man (2006) Budget- £60,000
Rubber Johnny (2005)
Dead Man's Shoes (2004)
My Wrong 8245-8249 and 117 (2002) Budget- £100,000
Warp X have made the following films:
Bunny and the Bull (2009)
She, A Chinese (2009)
All Tomorrow's Parties (2009)
Hush (2009) Budget- £1,000,000
Donkey Punch (2008) Budget- £3,000,000, Top Gross £295,141
A Complete History of My Sexual Failures (2008)
4. Warp X is allied to Warp Films and Warp Records, some of the key financial backers are EM Media and Screen Yorkshire. A good example of production credits is on the Donkey Punch trailer it shows a production company called Magnet.
5. UKFC is the United Kingdom Film Council, and it set up the low budget feature film project in association with Film Four and Warp X has been chosen as the company to run it, in association with it's financiers EM Media nd Screen Yorkshire. They think they will focus on directing, producing and writing and sourcing a diverse range of talent. Also to encourage filmakers to explore unusual issues like disability or ethnic diversity.
6. Donkey Punch was filmed in three weeks and most of the filming took place on a boat, and that almost all of the budget was spent on hiring out the boat for filming, as they used pretty much relatively unknown actors and no major special effects.
7. This Is England was not percieved as well in the United States as it was in the United Kingdom, in the opening weekend it made $18,430 in revenue and there was only one screening, whereas in the UK it made £207,676 and there were 62 screenings, this seems to hint that American audiences were not that interested in this film compared to people in the UK.
Many Americans would not undersatnd the film as it is a complete countertype of what Americans generally see the British or more so English, this portrays lower class skinheads and very nasty areas of the North of England, but Americans prefer to watch films about middle-upper class southern English people that show landmarks like "Buck House" or "the Palace of Westminster".
8. There is a Warp X website and it features a brief bit of information about how the company was formed and how you can get in touch with them and if you want to send in a script for a film however at the moment it says they are currently not accepting submissions. It also shows you there releases however does not give you any information about budget or box office which is irritating as it's something I would want on a film company's website!
9. There is also a Warp Films website which is a little too complex and not overly straight forward, there is biogrpahy of the company currently in progress but there is some information about the history of the company and it's current situation. It is also connected with Warp Records on the website. It is also talks about upcoming events and new releases. There is also quite a bit of multimedia on it!
10. Warp seems to be a typical British film production company in the respect that it makes films which generally are most suitable for a UK/British Isles audience and that certainly they are likely to understand.
In This Is England it shows clips of famous scenes of Britain in the 1980's which foreigners are unlikely to see as much as they have a very glamourous idea of Britain which is arguably not the case within the country.
It is quite low budget and doens't really have any special effects, and has verisimilatude as it seems quite close to reality, in the way it is filmed, the dialect, clothes, music, background, etc.
11. I supposed Warp's equivalent of Richard Curtis and Hugh Grant in their films would perhaps be actor Paddy Considine as he has appeared in quite a few of their films. And as a director Shane Meadows and also a writer!
Wednesday, 11 November 2009
Sunday, 8 November 2009
In the clip we can denote a man in an army uniform being led to a car with a chauffeur, this to me connotes that he is important and has a role or it could mean he is a leader or a dictator, however there is not yet any anchorage and so it is still polysemic. We see explosions on the horizon which signifies threat or danger or warfare. In the clip we also see armoured vehicles like tanks, helicopters, trucks, etc. and these signify militaristic prescence this is anchored by the soldiers we see walking around. The geographical setting of the scene looks like barren land or dessert, maybe the middle east or west asia, this is anchored by the text subtitle over the shot saying "Tikrit, Iraq". It looks like a very run down, poor area and there is binary opposition between this mis-en-scene and when the man is on the phone to the woman who is in a very clean, lavish house.
The editing is clever in this clip, one bit being with the helicopters as you only see them briefly however you can constantly hear the sound of helicopters in the background which creates the impression that they are constantly there in the background.
Also when the two characters are talking to each other on the phone they use shot reverse shot to it continuation during the phone call.
There is also natural lighting which emphasises the overpowering sunlight in the dessert.
They is also a lot of tracking in the clip as if the characters are being followed which adds realism to the scene.
High angle shots are used to connote vunerability when the characters are walking away and they also zoom out to long shots to show the background, like an establishing shot showing tanks and vehicles in the background and also the explosions. The camera tends to track the characters a lot to give it a realistic feel .
When in the phone box, it has a mid-close up on the man's face to show his facial feature so that we can see his emotions. When the woman on the other end of the phone walks to pick it up, it starts with a mid-close up of her bottom and legs, which connotes that she is a bit of eye candy and she has sex appeal and is rather feminine, and this is binary opposition to the very scruffy, masculine man on the other end of the phone. There are also quite a lot of two-shots used to show the clip is revolving around these two men, the man and his servant.
There is quite a lot of non-diegetic music used in the scene, which takes away realism but gives it emotion and feel and it connotes it is quite a serious clip as dramatic and quite scary music is used. Also the sound of the helicopters and tanks in the background are predominate to give the impression and realism that they are really there. These die down when the man is on the phone to the woman and more sad, sombre music is used to connote romance or heartbreak between these two characters.
Another important aspect of sound in this scene is the new coverage we can hear over the scene, it is non-diegetic as we never see a television or radio but this gives the impression that it is being annouced as we see what is happening on screen, it is also gives us exposition and anchorage about the character we have seen on screen being Saddam Hussein.
The representation of ethnicity in this scene shows characters who look as though they are from the Middle East or West Asia, this is supported by the accent of the characters sounding like people from this part of the world. Anchorage is given when the subtitle appears on screen saying "Tikrit, Iraq". People in the clip are wearing traditional dress and head scarf and the men have beards, they also come across in attitude as being quite aggresive and threatening which seems to back up the stereotype of predominately Iraqi people, certainly the ones you see in the media, this is of course based on your own knowledge and beliefs.